Never Let Me Go

Kazuo Ishiguro

Booker short-listed. Doreen thinks this is the sort of book you admire and don't like. Very cold. A peculiar story - the person telling it should be enraged but is not. The narrator and her friends are clones bred to provide organs for transplant when they get older. They accept their fate. Nobody seems to think it is bad. Doreen couldn't believe it because the children are not totally cut off from the world. Creepy because it is told in the first person.
Doreen 11/9/05
I was quite intrigued by the concept of people being cloned for organ transplants. A work of real imagination. It's told in the first person and it felt claustrophobic. I couldn't guess what would happen. Surprisingly, the book is set in the very recent past. The clones are treated in the way we used to treat disabled people i.e. shut them away.
Gill 9/10/05
Andrew wished several things about this book. He wished that he hadn't already known so much of the story or the identity of the author. Would he, he wondered, have persevered with it? He found the opening few chapters with their description of teenagers at some kind of special educational establishment and all the 'who said what to whom' stuff a bit boring really and it was only knowing that Ishiguro was behind it that made him think 'well, something a bit sinister must be going on then...' Andrew disagreed with Doreen in the debate over the author's reputation for coldness - he didn't find anything creepy about the voice of the narrator - a bit stilted perhaps but no more so than anyone who'd been raised in an institutional environment. If Andrew got into conversation with her at a party he wouldn't think she was that strange. Ishiguro's concept is ghoulish for sure but his telling of it did not strike Andrew as being overly clinical.
Andrew 6/11/05
A book about people being raised to provide organs for donation. The typical donor makes about three or four donations before “completing”, their euphemism for dying. It's initially set in a boarding school where the kids are raised, and follows the narrator through school and out into the world at large. It's a subject that could easily give rise to strong emotions and anger, and clearly the author has deliberately avoided that.

It's a very cold book, with little emotion. Seán rarely felt emotionally involved – the exception being when Kathy, the narrator, is ordered to make what will almost certainly be her final donation, and thereby denied more time with her lover. Seán was desperate for some resistance or anger on her part, but nowhere in the book are there any signs even of questioning by the donors. Nor are there any indications of how donors are treated if they refuse to comply – Kathy is living in the world at large, with her own car and flat, and we are given no idea of what would happen if she refused her final appointment.

Seán didn't really get any clear message from the book, but Doreen said it's simple: “You live, you die, that's it.”
Seán 4/6/06


By the same author


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